Ever since around the age of 13, when I decided I was too old to still watch them, I came to the opinion that most Disney movies suck. Of course, I still saw they occasional latest release from Disney, as I had my neighbor's kids and cousins to babysit.
Last week, after having the movie recommended by friends (Liam and Katherine) John decided to take me to see Wall-E.
Wall-E was amazing. It was cute, visually and sonically stunning. It was funny without being juvenile, smart without being pretentious. Even the ending credits (all 900 lines of them!) were interesting.
Encouraged by this, I decided to watch Enchanted, another Disney movie recommended to me by a friend (Laird). Enchanted also greatly exceeded my expectations of Disney movies. I also recently re-watched Mary Poppins with a couple of friends, and it seemed so much better than I remember it being.
I started to wonder - where Disney movies always this good? But then how to explain the crappiness of what about Robin Hood, The Haunted Mansion, The Pacifier or The Game Plan? Has Disney just been revitalized in the bast couple of years after a downward trend? In order to answer this question, I decided to graph the rottentomatoes.com ratings of major Disney releases (not the straight-to-DVD sequels like Pocahontas 2 or Mulan 2, I know those are going to suck) by year. This is what I found:

A few remarks:
Most of the first Disney movies ever made (Snow White, Pinocchio, Fantasia) are over 90%. The fraction of movies in what I'd call the 'excellent' category has been decreasing steadily with time. But this isn't a good measure of the quality of Disney movies, as Disney now produces around twice as many feature movies per year as it did in its first decade of existence. Perhaps Disney put more effort into its movies when it only produced one or two per year, or maybe now that there are more we're seeing a more normal distribution of ratings.
Pixar is Awesome Toy Story was the only Disney movie to get 100% in the 90s. Finding Nemo, The Incredibles, Monsters, Inc. and Wall-E were the top rated Disney movies of the 00s. Disney also rides high off of the imported Miyazaki movies (Spirited Away, Princess Mononoke). But...
Computer animation does not a good movie make. Disney's non-Pixar attempts at computer animated movies, such as Meet the Robinsons, The Country Bears, and The Wild, have all been suck-tacular.
Sequels are not meant for theatres. In 2003, Disney broke their rule that animated sequels being kept out of theatres by releasing The Jungle Book 2. It sucked. Movies that also sucked: the live action versions of 101 Dalmatians, and 102 Dalmatians. Children do seem to love repetition (most nursery rhymes use it), but sequels should only be used for television babysitting.
The main problem with children's movies are that they are made for children. Bad Disney movies pander a child's sense of humor or attention span. That's why we get movies like Dr. Dolittle. Good Disney movies are the ones that still capture childlike innocence and wonder without relying on slapstick comedy or constant action. My research supervisor took his 4 year old daughter to see Wall-E, and they left 20 minutes in to the movie because she was getting bored. There were no talking characters or people doing silly things, just a robot and a cricket on a deserted planet. I always got bored or fell asleep watching Mary Poppins as a child, these days it moves at just the right pace.
Disney hasn't made a decent non-computer animated movie in years. DisneyToons, the branch of Disney now making classic-style animated movies, is a recipe for suck.
Making movies used to take a lot of painstaking effort. Now they're relatively cheap, which means that Disney can produce a lot of them without too much quality control. They make movies that only stupid kids want to see. Because of this, we seem to have forgotten that movies can have a G rating and still be entertaining for adults.
Since it's summer, and I have time to read, I'm back to cataloging all the books I read on my blog. This summer, I'm not allowed to cheat and read the really short young adult books. No, for this first entry of the summer, I read an 800 page book on evolution.
God is not Great, Christopher Hitchens - another atheist friend of mine lent me this book after being unable to complete it himself. I can understand. Though there are a lot of scary tidbits about religion - the rabbi in New York who transmitted herpes to around 30 babies because of the practice of sucking off a baby's foreskin during circumcision sticks out in my mind, though it definitely wasn't the worst example, Hitchens comes off as pedantic and pretentious. He writes like he speaks, and too often comes back to examples of his own life, as if he, too, is a genius persecuted by religion. It was a great vocabulary builder, though.
Omega - Jack McDevitt. I picked up this book because John picked it out of the library and I was looking for something to read on my trip home to Antigonish at the beginning of May. The basic plot is that there's an astronomical storm heading towards a planet with a primitive civilization, and so humans arrive and pretend to be their gods in order to save them. Sounds like the plot of a forgettable episode of Star Trek. It was well written, but the ending was kind of lame. I read 300 pages of the book before realizing that it was just one in a series and that because of this, the book would not have a satisfying ending by the last page. The quality of writing is enough to get me through one book, but not the entire series. It was also kind of preachy, as if the author was trying to convert his readers into believing in some great celestial god that most of his characters believed in.
Infidel - Hirsi Ali. This book is amazing. Ali was born in a Muslim political family in Somalia but ran away to the Netherlands on her way to an arranged marriage in Canada. She learned Dutch, got citizenship and earned a college degree in political science, eventually becoming a political leader in the Netherlands. She campaigned against the abuse of women in Islam, which makes her a constant target of death threats - she wrote the screenplay for Theo Van gogh's Submission. Now that she is in the united states, she mostly appears on talking heads shows to denounce Islam. Here's an example of two different styles of interview with Ali:
The first, the reporter from Canada, seems to refuse to believe that Ali had a difficult life in Somalia. He paraphrases her biography and insists that life in the west isn't as good as Ali says it is. In the second, Glen Beck nearly falls to his feet in adoration of Ali, but is it really respect for her life or just happiness that he's found someone to support his beliefs? Neither interview does a very good job of capturing Ali's message. Infidel is probably one of the best books on feminist issues ever written, and it's nice to see the message of female empowerment coming from a non social relativist, far left point of view.
Quicksilver - Neal Stephenson. This is probably the nerdiest book I've read in a while. It follows Daniel Waterhouse (the fictional founder of the Massachusetts Institute of Tecnickal Arts) who was Newton's roommate at Cambridge, but who later joined Leibniz in creating a difference engine after Newton turned into a crazy astrologer. Heavy on the science and history, low on plot. The only female characters were a dumb housewife and a prostitute.
The Ancestor's Tale - Richard Dawkins. The Ancestor's Tale is an 800 page book that could serve as a substitute for half of first year biology and earth science. I would recommend it to anyone who hasn't taken first year biology, as this book covers the parts of biology that I found interesting (I'm sorry Dr. Staicer, memorizing the Krebbs cycle or the phylogeny of a hundred different sorts of microbial life was not helpful). Dawkins writes a lot of his own life into the book, so even though I felt like I was reading what I already knew as gospel, every so often I'd read a little amusing tidbit about his childhood that made the book interesting.